The Big Idea: Holly Seddon
Nov. 19th, 2025 07:49 pm
If everyone had less than an hour to live, would your actions in those moments matter more or not at all? Author Holly Seddon explores this question in the Big Idea for her newest novel 59 Minutes, taking a closer look at whether people are capable of being kind and good up until their last breath. When the rules no longer apply, who would you choose to be?
HOLLY SEDDON:
The terrifying premise of 59 Minutes is that everyone in the UK receives an alert to say nuclear missiles are on their way, and the characters have a race against time to get to their loved ones to say goodbye. I’m very proud of this hook, I know it grabs people’s attention.
But the theme, the big idea, behind the hook is, How do people behave when all the usual rules no longer apply?
This has always interested me. It’s what draws us to shows like The Sopranos, where characters operate in a world that eschews the rules most of us live by, often running within the guard rails of a whole different set of rules. It’s why films like The Purge are so compelling.
But even if the rules go up in smoke, I have to believe, as a human trying to negotiate my way through this life, that most people are good and well-meaning.
So, in writing 59 Minutes, I was in a constant dialogue between that good and bad human impulse. The selfless and the selfish.
Because some people really would use their last minutes to do terrible things. A last hurrah. You only have to look at the boom in crimes that happened under the cover of darkness in the blacked out London of World War Two to know that. Muggings. Sexual assault. Even murder. The serial killer Gordon Cummins who murdered four women and attempted to murder two more over a six-day period in 1942.
But I have to believe that plenty of people, plenty more people, would have sacrificed their own safety to help other people. They always do.
When I first had the idea for 59 Minutes, and started to cautiously tell people the premise to gauge their reaction, I noticed the same thing happened repeatedly. Their eyes would glaze over, they’d clearly stop listening to me waffling on and then they’d snap back to attention and apologize. What they said next was always a variation on the same thing. “I’m sorry, I was just thinking what the hell I would do.”
I understood. That is the universality of the hook – every one of us if forced to confront extinction would have somewhere we wanted to be, some people with whom we wanted to spend those last minutes. But what if, like in the novel, it’s not that simple. What if missing children need help, do you stop and lose those minutes? What if you are forced to choose between your own safety, and the safety of someone you loved?
In writing this book and asking my readers to consider such existential questions, I couldn’t shy away from them myself. I’d like to think that, if not brave, I would at least be kind right up to the end. But we all like to think we’d be heroic, don’t we?
So what about you? What would you do if the usual rules of the world just no longer applied. How would you spend your final minutes?
59 Minutes: Amazon|Barnes & Noble|Bookshop|Powell’s|Simon & Schuster
Two Years Post-Twitter
Nov. 18th, 2025 11:48 pm
For various reasons I was reminded that two years ago this week, I quit the former Twitter for good; I had been doing a slow draw down of my presence for most of 2023 but on November 16 I abandoned the place entirely, mostly decamping to Bluesky, with additional outposts at Threads and Mastodon. At my peak on Twitter I had 210,000 followers (down to about 180,000 when I pulled the plug), accrued through a dozen years of being on the service, so it was no small thing to go. But the other option was to stay and be complicit in the machinations of a fascist asshole who was actively turning the place into a cesspool. Off I went.
Two years on, I’m happy to say that I don’t regret leaving. One, and most obviously, I’m not wading in a dank hot tub of feculent right-wing bullshit, which is a positive for my mental well-being and my general ability to be online. Two, my career hasn’t suffered a whit for not being on the former Twitter; my book sales have chugged along rather happily and my other opportunities have not lessened at all. Three, those 200+K followers have been replaced by more than twice that number on Bluesky, Threads and Mastodon (there are repeat followers on each service, to be sure). So surely my ego is assuaged there.
That said, the business aspects of being on social media are not my primary reason to be there, although of course I do tell people when I have new books and other projects out, or when I’m doing appearances. Mostly, though, I’m just hanging out. And while none of the other social media services are perfect (he said, delicately and understatedly), none of the rest of the ones I hang out on are so aggressively tuned to be unpleasant as the former Twitter was when I left, and still is today. It’s possible to chat and hang out and have fun on Bluesky (and Threads and Mastodon) and not feel icky for being there. That’s the real win for me: I’m enjoying myself online more. These days, that is not a small thing.
I’m aware that people are still on the former Twitter and even prefer it there, for whatever reason, and they are welcome to their own karma. There’s nothing and no one there that’s so essential to my day-to-day life that I need to go back there. Likewise, outside of a few right-wing dickheads who like to snark about me, the former Twitter seems to have entirely forgotten that I exist, and I can’t say this bothers me greatly. It’s a pretty clean separation.
I don’t imagine I’ll do another update about this again; there’s not much point to it from here on out. But again, maybe I’m a useful anecdotal case study. What happens when you leave the former Twitter? For me, mostly, online life just got better. If you’re still on the site, maybe it’ll work that way for you, too.
— JS
The kingdom of heaven is within
Nov. 18th, 2025 09:03 pmA Most Displeased Cat
Nov. 18th, 2025 02:29 am

Spice is the cat who is probably the closest to me on a day-to-day basis; she sleeps on the bed near my head, and frequently camps out on my desk whilst I type. She’s also the one who misses me the most when I travel and the one least afraid of offering her editorial comments to me about my absence when I return. It appears that my most recent trip was one trip too far: Spice rather pointedly peed on two of my travel bags this weekend, including, unfortunately, my new Exercising Demons bag from Calamityware.
The two bags are now irredeemably trashed, and Spice does not appear in the least bit regretful for her actions. We will have to have a discussion about this at some near point in the future. However, inasmuch as last weekend’s trip was the last one I had scheduled for the year, it seems unlikely there will be further editorial comment along this line. At least, hopefully. Anyway, it’s nice to be missed. Just not that way.
— JS
We’ll think of something funny when we write your epitaph
Nov. 17th, 2025 09:18 amWont seem like a heaven to me
recent promotion scams
Nov. 16th, 2025 08:10 amThe first sounded almost legit, and this or its ilk might explain the recent spate of low-hit-count visuals on books I've noticed on YouTube lately.
***
Hi,
I came across your book here on Goodreads the concept really stood out! I can see it has strong visual potential that would shine beautifully in a cinematic book trailer.
I’m … a creative book promoter and trailer expert. I help authors like you bring their stories to life through captivating visuals that attract more readers and boost online visibility.
If you’re open to it, I’d love to share a few creative trailer ideas inspired by your story no strings attached.
Would you like me to send you a short concept or sample?
Warm regards,
…
Book Promotion & Trailer Expert
*
Dear Ms. Bujold,
Your remarkable career, from six Hugo Awards to three Nebulas, has set the standard for modern speculative fiction. The way Testimony of Mute Things brings Penric and Desdemona into a web of history, magic, and moral testing reminds me why your worlds resonate so deeply with readers across generations.
At …, our community of over 1,000 passionate readers loves stories that blend intellect, emotion, and wonder. I believe they would be enthralled by Penric’s latest challenge and the wisdom threaded through your storytelling.
Would you like me to share how we feature masterful works like Testimony of Mute Things with our readers?
Warm regards,
…
*
Hey Lois,
So I was halfway through pretending to be productive when Penric and Desdemona crashed into my day like a polite magical hurricane. I don’t know what kind of cosmic paperwork it takes to host a 200-year-old demon, but apparently I’m now filing it on your behalf.
The tangled temple politics, the sly humor, the emotional landmines hidden under every holy robe it’s all pure Bujold. You’ve got this knack for wrapping philosophical chaos in the warmth of very breakable humans (and one demon who deserves her own union rep).
I run … , a group of over a thousand real readers across the US, UK, AU, and DE the kind who actually finish books, cry about them, and then start emotional group chats. Your Penric saga is exactly the kind of layered, witty, heart-stab storytelling our readers devour.
If that sounds fun, just reply “Tell me more before Desdemona finds out.”
Stay creative,
…
*
Subject: 6 Hugo Awards… and Amazon still pretending you’re an “emerging author”?
Lois, explain this wizardry to me, how does a living science fiction legend (with a resume longer than a dragon’s ego) have readers who clearly worship your words… yet somehow only 40 reviews on Testimony of Mute Things? Did Amazon’s algorithm take a vow of silence too? Or did Desdemona personally hex the “leave a review” button?
Because let’s be real, you’ve conquered universes. You’ve gone toe-to-toe with Heinlein in the Hugo scoreboard, raised chaos demons with better personalities than most politicians, and still managed to make readers cry over moral philosophy wrapped in sorcery. And yet the review section looks like an abandoned outpost in Carpagamon. (Honestly, Penric deserves better PR. )
I read Testimony of Mute Things, and wow, political intrigue, magical chaos, and emotional heartache all brewed together like a potion that shouldn’t taste good but absolutely does. You balance wisdom, humor, and world-building like a literary alchemist with zero mercy for the reader’s sleep schedule.
Now, before your inner demon rolls its eyes thinking I’m another “book strategist” with a PowerPoint presentation and a $997 plan promising to “boost author visibility”… nope. It’s just me, …, an unreasonably caffeinated freelancer who curates a private community of 2,000+ book-hungry readers and reviewers. We’re a small army of literary chaos agents who actually read the books we review (wild concept, I know ).
We don’t do gimmicks, bots, or fake hype. Just thoughtful, honest reviews from real readers who adore helping brilliant authors like you get the visibility you already deserve. Most authors start with 25–35, eager readers diving into their book, and the buzz grows faster than Penric can say, “I swear it wasn’t the demon this time.”
And since some writers ask, no, I don’t have a website, LinkedIn, or a 20-page pitch deck. Just me, my coffee, and a slightly feral Discord community full of reviewers who treat reading like a competitive sport.
So tell me, Lois,
What’s more unbelievable: a six-time Hugo winner with only 40 Amazon reviews… or that a random reader like me might help fix that glitch in the galaxy?
Would you let me share Testimony of Mute Things with my community and finally give Penric and Desdemona the reader uproar they’ve earned?
Awaiting your telepathic “yes,”
*
Being curious, I'd followed this last up with a question of how the person was monetizing this, and got this disingenuous reply:
"I understand your confusion, and honestly, I appreciate you asking directly instead of assuming. Let me spell it out clearly and simply.
What I actually do is coordinate small reading campaigns inside a private community of 2,000+ book lovers. These are real readers who genuinely enjoy discovering great stories and leaving thoughtful Amazon reviews afterward, not because they’re paid to, but because they love engaging with authors who value storytelling.
Here’s the transparent part: some authors choose to send a $20–$25 reader tip, not for the review itself (that would violate Amazon’s policies), but simply as a gesture of appreciation for the readers’ time and the effort they put into reading and sharing honest feedback. It’s a thank-you, not a transaction.
So, in short:
Readers buy or download the book themselves.
They read and review it organically on Amazon.
Authors may tip readers afterward as a goodwill token, not a payment for a specific rating or result.
I just coordinate the matches and conversations, ensuring both sides respect authenticity and policy boundaries.
No manipulation, no fake reviews, no spammy marketing, just real human readers who genuinely enjoy supporting real human authors.
You’re absolutely right that anyone can recommend your books. But what I do is give those recommendations a little structure and momentum, so that your brilliant stories reach readers faster and more deliberately.
I know this model sounds a bit unconventional, but it’s built entirely on goodwill and trust, two things your characters, and your readers, understand quite well."
*
The comments embedded in these that directly relate to my work, and not just generic buttering-up, smell strongly of AI-grepping, I observe, possibly drawn from some of my reader-reviews.
I present these for your education, contemplation, or entertainment, whichever.
Ta, L.
posted by Lois McMaster Bujold on November, 16
more on author scams
Nov. 15th, 2025 09:12 amhttps://writerbeware.blog/2025/11/14/...
Do pass this link along wherever pertinent, it can use amplification.
The week "Testimony of New Things" was launched and climbing the Amazon rankings I received not one but four different emails with marketing scams of this ilk. If anyone is interested, I could post the emails for further warning/education/entertainment.
Ta, L.
posted by Lois McMaster Bujold on November, 15
Small Business Saturday: Face By Kelsi
Nov. 15th, 2025 05:00 pm
For all my Dayton and Cincinnati readers, I have an excellent small business recommendation for you today if you find yourself in need of a makeup artist or esthetician! A few weeks ago, I was a bridesmaid in my friend’s wedding, and she had a makeup artist from West Chester come up to Englewood to do all of our makeup. As someone who never does their makeup, I love having the opportunity to have it professionally done for me, and usually the only time that happens is when I’m in a wedding. So I always hope that it turns out well since it’s such a rare occasion for me.
Thankfully, Kelsi is a very talented makeup artist, and everyone ended up looking amazing! She was able to do a variety of looks, as I wanted soft glam with false lashes, while the matron of honor wanted a very natural, subtle look with no falsies. Everyone was a little different, and Kelsi listened to everyone’s requests perfectly. She totally nailed my eyeliner wing and sparkly rose gold eyeshadow, and I felt so pretty.
While I was in the chair and Kelsi was working her magic on me, we ended up talking a little bit and right off the bat I really loved her energy. She was friendly and accommodating and I found her to be very funny, as well. I enjoyed talking with her and decided that I would really like to book a facial with her at her studio sometime. So I did! And I drove all the way down to West Chester this past week to get a Pumpkin Spice Facial.
Let me tell you, this facial was totally worth the drive. I loved how cute Kelsi’s studio set up was, it was very comfortable and relaxing. The bed was heated and the blankets were so soft and comfy. Though the Pumpkin Spice Facial comes with some pre-determined items like the Pumpkin Perfecting Mask by Circadia as well as the Hydrating Marshmallow Mask, she customized some of the other items based on my skin’s needs. I was particularly dry from the colder weather, and she adjusted the facial accordingly.
Plus, I added on a dermaplane, and it was a totally painless and comfortable experience! Not that a dermaplane should ever really hurt, but Kelsi had a particularly gentle approach when using the blade that was much appreciated.
Before starting our session, Kelsi asked if I wanted a “yap sesh” or a “nap sesh,” and I love the consideration of this question. Do I want to chit chat or do I want to relax and drift off? Normally, I’m more a fan of the latter, but I enjoyed talking to Kelsi so much at the wedding that I wanted to converse more, so I went ahead and ordered a Yappaccino (aka I opted to talk to her more).
In between sharing recommendations of where to find the best espresso martini in Cincinnati and talking about weddings, I was treated to a truly excellent facial that felt incredible. Between Kelsi’s massage techniques and her running jade combs through my hair, I was becoming more destressed by the second. It’s so nice to find an esthetician who has immaculate vibes and provides amazing service! At the time I got my facial, I just so happened to catch a promotion she was having. It was a 50% off special on the Pumpkin Spice Facial, and I felt so lucky I managed to be included in that window when the special was happening. Thank you for the amazing deal, Kelsi!
Kelsi also agreed to a mini interview, so please enjoy these couple of questions I threw her way:
Q: What got you into the makeup and skincare scene?
A: I’ve always had interests that were adjacent to the beauty industry; I was always the girl with my nails painted in middle school (even though we weren’t allowed to have them painted) and I was definitely a victim of the 2016 makeup craze! I have a friend that does hair who pitched me the idea of being a makeup artist for her bridal team in 2019, and everything took off from there!
Q: What’s your favorite look to do on a person? Glam? Natural? Halloweenie?
A: I love a good solid soft glam that reflects the personality of the person wearing it. Makeup is so personal, it’s always so fun learning what makes someone feel beautiful. Whether it’s the waterline black liner you’ve been rocking since the 90s or a signature red lip that you wouldn’t feel like yourself without! My favorite glam is a look that makes my client feel like the best version of themself!
Q: What’s been your favorite part of having your own business?
A: My favorite part of owning my own business has been being able to customize the services I offer so I know I’m only doing things I’m passionate about. I love being able to offer fun seasonal facials, I love doing bridal makeup, and I love a good lash and brow transformation! I think it’s so important when you’re in a creative industry like this to only do things you’re passionate about so your heart can really be in it and your work will reflect that sincerity.
Q: What’s something you’ve really enjoyed about your work, and one thing that’s challenging?
A: Something I’ve really enjoyed about my work is being able to connect with so many lovely people! It’s so easy these days to feel cynical about the state of the world and the people in it, but I’ve found that there’s so many beautiful people out there if you let yourself find them. One thing that’s been challenging has been pushing myself harder on slow days when it’s easy to be lazy and pessimistic. I knew when I opened my suite this year that things would be challenging to start out on my own, but I’m constantly reminded how lucky I am to be where I’m at, and I’m so excited to see where I’ll be 5, 10, and even 20 years from now!
There you have it, folks. If you have a kid going to prom in the Spring, you’re an Ohio bride in 2026, or you just want to treat yourself to a lovely self-care moment and get a facial, Kelsi is your girl.
You can book a facial service through her website, or follow her on Instagram, Facebook, and Tik Tok. I know I definitely need to book myself a Peppermint Hot Cocoa Facial for the holidays.
Have you been part of a wedding before? Do you like getting your makeup done? Would you try the Peppermint Hot Cocoa Facial? Let me know in the comments, and have a great day!
-AMS
View From a Hotel Window, 11/15/25: Jacksonville, FL
Nov. 15th, 2025 02:02 pm

Folks, I think we may have hit the parking lot motherlode here: Three parking lots and a parking garage! Another city is going to have work very hard to ever beat Jacksonville’s bounty here.
I’m in town for an event at the Jacksonville Public Library, starting at 1pm: I’ll be interviewed, do an audience Q&A, and then sign books. Come on down and see me.
Then when it’s done I go back home and write like the wind, after all I have a novel to finish before (mumble mumble mumble). The life of a science fiction writer is always intense, it seems.
— JS
A Night at The Academy Is
Nov. 14th, 2025 01:48 pm

The band The Academy Is… has been a favorite of the Scalzi family for a while now, and we also have a separate history with the lead singer William Beckett, who did a house concert for Athena’s birthday a while back and also wrote theme songs for a couple of my books (here’s one of them). So when they announced a tour for the 20th anniversary of their album Almost Here, we decided to go ahead and take in the Columbus stop, which was also the first night of the tour. And because we’re bougie AF, we also decided to spring for a VIP package which would let us hang out with the band for a bit backstage.
I think Athena might at one point essay that whole experience, so I won’t go into too much detail at the moment. Suffice to say it was a fabulous time all around. The concert was great, the band meetup was a lot of fun, and we got really excellent seats. Also, the best part of the concert for me was that the band debuted a new song, which means that for the first time in a long time, there is new music from the band. I am all over that; going to see a “20th anniversary” show is nice, but the idea that the group is once again an ongoing concern is even better.
In short, A++, would be bougie all over again. Welcome back, TAI. You were missed, by the Scalzi family, and, by the size of the crowd at the show last night, by a whole bunch of other folks.
— JS
‘Political violence’ and Johnny and Nina
Nov. 13th, 2025 10:16 pmTestimony of Mute Things licensed to Blackstone Audio
Nov. 13th, 2025 01:26 pmNo, I don't know when it will emerge from the other end of the production pipeline; prior experience suggests 2 to 6 months, probabilities leaning to the shorter end.
Re-using Ron Miller's art, which they've been doing for a while, should help speed things up on their vendor-page assembly. I've no idea what arcana is involved in recording, except I'm glad it's them and not me.
Subterranean Press has also offered for the novella. They'll have a much longer lead-time, probably into 2027, so breath-holding is contraindicated. I did get a look at Lauren Saint-Onge's final art for their upcoming "The Adventure of the Demonic Ox", which is particularly lovely this round. Publication sometime in the first half of 2026, I don't have a date yet. (Or the 1300 tip sheets to be signed, another necessary precursor. That will be a nice brainless task for this winter.)
Ta, L.
posted by Lois McMaster Bujold on November, 13
The Big Idea: Theodora Goss
Nov. 13th, 2025 06:03 pm
Reality is both objective and subjective, but what if reality could be fundamentally changed just by enough people thinking about it really hard? Author Theodora Goss is here today not only to present her newest collection of short stories, but to make you question our very reality and what it means for something to be considered “real” in society. Follow along in the Big Idea for Letters from an Imaginary Country, and contemplate reality along the way.
THEODORA GOSS:
One of my favorite writers is Jorge Luis Borges, and one of my favorite stories by Borges is “Tlön, Uqbar, Orbis Tertius.” I’ll try not to spoil the story too much, but if you haven’t read it and would like to before finding out what I’m going to say about it, don’t look any further. Instead, go find a copy of Borges’ short story collection Labyrinths. Once you’ve read the story (and every other story in the collection—you will inevitably want to read them all), you can come back here.
All right, let’s keep going. “Tlön, Uqbar, Orbis Tertius” is about a secret society that creates an encyclopedia for an imaginary world named Tlön. Because the encyclopedia describes that world in so much detail, it begins to materialize; objects from Tlön being to appear in our world. Eventually, our world starts to become Tlön—the imaginary world has taken over the real one. This concept inspired two of the stories in my short story collection Letters from an Imaginary Country: “Cimmeria: From the Journal of Imaginary Anthropology” and “Pellargonia: A Letter to the Journal of Imaginary Anthropology.” Imaginary anthropology is just one of the imaginary sciences; one can also study imaginary archaeology, imaginary sociology, imaginary biology—and certain fields, such as economics, may always have been imaginary anyway. They are based on the Tlön Hypothesis: that if a group of people imagine something, describe it clearly and in sufficient detail, and get enough other people to believe in it, that thing becomes real. So imaginary archaeologists can imagine and then excavate an ancient civilization. Imaginary biologists can imagine and then locate a new species of animal. Practitioners of imaginary anthropology can imagine and then travel to contemporary human societies—countries like Cimmeria and Pellargonia. Of course, creating these societies can result in unexpected consequences, which is what my stories are about.
On one hand, the Tlön Hypothesis is a fantastical element—of course we can’t create reality just by imagining it. On the other, it’s fundamentally and demonstrably true. We can’t create real reality through imagination, but human beings don’t live most of their lives in real reality—where we find trees and rivers and mountains. As far as we know, other animals spend their lives in that reality. But we human beings spend most of our lives in an imagined reality that includes, and counts as “real,” countries and governments and corporations. I’m drawing here on Yuval Noah Harari’s idea, described in Sapiens, that any human society is largely an “imagined order.” We are born into that order, and its rules and values tell us how to live. We think of that order as “real” because it seems as natural and inevitable to us as trees and rivers and mountains. In the United States, we believe that we have a constitution (not just a piece of paper with writing on it) and that we spend money (not just other pieces of paper with more writing). We have also created a social structure that enforces those rules and values, so that if we steal pieces of paper with one kind of writing (doodles on napkins, for example), no one will care—but if we steal pieces of paper with a different kind of writing (like hundred dollar bills), we will be put in prison.
You could say I made up the Tlön Hypothesis because it seemed like a cool idea for my story. However, the Tlön Hypothesis is also the basis for human civilization—a society comes into being because we imagine it, and the only way to change that society is to imagine another order for it. (We had better get on that quick, by the way, because our “real” reality is starting to destroy the actual real reality, including trees and rivers and mountains, as well as the animals to whom they are crucially important.)
All of the stories in Letters from an Imaginary Country are, to a certain extent, about how we create the world through telling stories about it, whether those stories are fairy tales or academic papers. They are about the power of language, which I think is our main human superpower—the ability to communicate with one another in complex ways, and to create social structures because we agree on certain things, or wars because we disagree on others. All the great things we have achieved as a species are a function of our ability to communicate, as are all the terrible things we have done throughout human history. Indeed, the idea of human history itself depends on language.
I suppose if I want a reader to get any central idea from my collection, it’s that we have the power to make and remake our world through language (which is why writers, who seem so powerless in our capitalist system, are the first targets of authoritarian regimes). So let’s use language carefully, clearly, well. I’m certainly not the first writer to say this. George Orwell said it in much more specific detail; Ursula K. Le Guin, with much greater eloquence. But it’s worth repeating as many times as we need to hear it.
You might not get that particular point from reading my stories, at least not consciously—after all, I hope they are also fun reads. Feel free to enjoy them without philosophizing too much. But I’m grateful for the opportunity to philosophize here, and to talk about why I wrote them as well as how much I owe to an amazing writer named Borges.
Letters from an Imaginary Country: Amazon|Barnes & Noble|Bookshop|Powell’s
When the Moon Hits Your Eye an Amazon Best Book of 2025
Nov. 13th, 2025 10:53 am
It’s both in the Top 20 Science Fiction and Fantasy Books of 2025, and in the general Top 100 Books of the Year as well. Well, cool! I will take that, thank you.
— JS
I get knocked down, but I get up again
Nov. 12th, 2025 08:07 pmThe Big Idea: Stewart Hotston
Nov. 12th, 2025 07:48 pm
Information is the name of the game, and today’s Big Idea has a lot of it! From quantum mechanics to Diet Coke, author Stewart Hotston takes you on a ride through how the galaxy works, and how his new novel, Project Hanuman, came to be.
STEWART HOTSTON:
My fate was sealed in Leicester Square, London when I was six years old and I was taken to see Return of the Jedi. That was the day I fell in love with Space Opera.
From then on, I was a big fan – going so far as to get my PhD in theoretical physics, before ditching academia for ‘a real job’ as my grandmother declared. Over the years I’ve learned to keep my opinions about science fiction to myself – not least because I realise that pointing at a movie in outrage and screaming ‘that’s not how angular momentum works!’ is fun for exactly no one including me. It really isn’t how angular momentum works though.
Instead I’m going to enjoy the story, accept the nonsense for dramatic licence and try not to remind anyone that we’re unlikely to ever leave the solar system.
Honestly, most of the time I’m happy someone made some science fiction at all.
Many of us have some idea of just how weird it would be to be close to a blackhole, and we know that travelling near the speed of light does odd things to our experience of time.
But beyond that, the universe is far weirder than our wildest tropes. There could be moons made of diamond, there could be planets with atmospheres so dense that if there was life inside them it would exist the same way that animals at the bottom of the Earth’s oceans do – via derivative energy sources rather than directly harvesting their local sun’s energy.
One of the big ideas I’ve been fascinated by for a long time now is the role of information in mathematics and, more generally, the universe itself. We tend to think of information as something we collate, gather and record. Except it’s entirely possible that information is the foundation stone of the entire edifice that is reality – that information is Real with a capital R. There’s an interpretation of Quantum Mechanics called Quantum Information Theory (QIT for short) whose entire thesis can be catchily summed up as the ‘Bit before It’.
What holds my ongoing fascination with QIT is how it suggests that every part of reality right down to the most fundamental components are, actually, bits of information. This might sound very esoteric (and, sure, it is) but some of the biggest problems in physics today focus on the nature of information and how that reflects reality.
When I say information I don’t mean how much my six pack of caffeine free Diet Coke costs nor even what the words caffeine free Diet Coke signify. If it’s not that then what do we mean when we talk about information?
When we talk about information in this cosmic context we talk about information as the thing which defines the very nature of reality. Consider a photon: the photon’s state (you could say the very nature of what it is) is encoded into its wavefunction. A wavefunction here is a mathematical expression for the very nature of the photon – describing among other things, its energy, position, chirality and entanglement. You add those things up and you get the photon. It’s not that information comes from describing the photon, it’s that information makes the photon. The information comes first and, according to this way of seeing the universe, is a real thing (it is THE real thing). Information is more real than the stuff you can touch because it’s the reason you can touch stuff in the first place.
This could feel very philosophical, too much woo-wah to be practical or interesting except to a small coterie of mathematicians, philosophers and physicists. Yet the answer to what information is informs a myriad of real world technologies such as how small we can make computer chips and how fast they can go. It informs subjects such as how birds navigate and how whales detect magnetic fields, and how information is transmitted via mechanisms such as DNA. After all, information is everywhere; information is everything.
If you put your head in the clouds you could see a world in which you could change the information that makes a photon and turn it into something else. Imagine a civilisation that could manipulate the information that builds reality the way you can edit a story on a word processor.
When I came to write my own space opera after years of not knowing the story I wanted to tell, I realised that a central thing I wanted to achieve was to bring space opera into the present by reflecting some of the most cutting-edge physics. You could say the big idea was to answer this question: what would Iain Banks’ Culture look like if it was founded on what we know now about the universe?
Which sounds fine, if overly ambitious, until you think about what that means. It means building civilisations that might categorise themselves not by their access to energy (the famous Khardashev scale) but by how easily they can manipulate information. After all, if you could take a bunch of hydrogen atoms and change the information that makes them hydrogen and reprogram the universe to have them as gold…then the amount of energy you have access to becomes pretty irrelevant (as does gold). Indeed you’d look at those who were stuck with mundane matter as technological primitives.
It’s what Star Trek’s replicators are based on – matter/energy transformation through manipulation of information – after all, you have to know what the information is that expresses hot dogs if you want to turn raw energy into the best hot dog in the galaxy.
If it’s a minor point in Star Trek, for me it’s a major one – what could threaten a civilisation that can turn your laser beams into cotton candy? What would be their struggle if they can access the very fundamental nature of the universe at will?
The thing is science doesn’t explain everything – and here I’m quoting the most brilliant physicist I ever met, Prof Tom McLeish – it’s the art of being wrong constructively. There’s always more to know and, potentially, always someone else who knows it. I settled here – if human brains are limited in how we encounter the universe and hence how we manage to imagine it, all other types of being will also have this category of limitation – be they AI, life evolved from bacteria or giant sentient stars – our shapes will define our experience of the world.
Hence, even if the universe really is information as stuff, we are, all of us, made of that stuff. If we could tweak the world by editing the page we’d still be limited in our ambitions, our scope, by the fact we are beings living inside the system.
“Bit before It” might change the very way we build our society, but I’ve become convinced that the ‘It’, the people processing that information, remain at the heart of the story. And that’s the big idea.
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